Natural breast shapes11/4/2023 ![]() The findings highlighted that nipple position was significant in determining aesthetic proportion in the breast as determined by sternal notch to nipple distance, relative to trunk height. ![]() This observational study on a random population showed no correlation of the findings with breast attractiveness.įabié and colleagues examined breast proportions in photographs of 70 volunteer women and 1 mannequin, and selected the 10 women who obtained the best scores given by a panel of 20 people including plastic surgeons and lay people. Their group included women aged between 24 and 64 years in addition to women with body mass indices ranging from 20.4 to 30.8 kg/m 2. Hauben and colleagues examined breast-nipple-areola proportion in 50 randomly selected female volunteers. Indeed, it is perfectly possible to have the Penn dimensions and still have an unattractive breast. It does not, however, define shape or form, or any other key components that might be responsible for the attractiveness of those breasts. The often referred to “Penn triangle” described an equilateral triangle based on nipple distance from the suprasternal notch observed in a selected group of women with attractive breasts. Others have applied measurements to certain criteria but not as identifiers of beauty or aesthetic ideal. However, these are not objective or measurable parameters. Vague terms have often been used to describe desirable characteristics such as proportion, harmony, shape, and flow. In addition, Burget and Menick have described aesthetic units of the nose to serve as a guide for nasal reconstruction.Īlthough much has been written on breast form, it has not been subject to such precise definitions of beauty. Similarly, in the nose the precise establishment of nasal proportion by Gunter and colleagues has led to a template for basic nasal ideals: a “map” for aesthetic rhinoplasty. More recently much has been written about such norms, particularly in the face, and with regards to orthognathic angles and proportions, which act as guides in facial reconstruction and craniofacial surgery. In the latter, the division of the face into thirds and fifths form part of the iconic da Vinci images correlating ideal human shape with geometry. Plato compared human proportions with the ideal columns of a Greek temple, while Vitruvius, a Roman author and architect, also spoke of ideal human and facial proportion, and his writings formed the basis of Leonardo da Vinci’s Vitruvian Man in the late fifteenth century. The Greeks and the Romans first set out to define ideals of beauty and proportion. Such guidelines allow for interpretation, manipulation, and modification to create or recreate a determined aesthetic outcome. An essential part of aesthetic surgery is an understanding of the aesthetic ideals of the body. However, until recently there have been few objective data in the plastic surgical literature to define an aesthetically pleasing template for breast shape and proportion. Many sculpted, painted, and photographed women with beautiful natural breasts have adorned the history of art.
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